Ensemble shines in a worthy tribute
There something about the way a room full of dancers at an audition lunges forward at the beginning of Chorus Line. It as though their bursting energy, and their desire itself, is hurtling right towards the audience
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The dazzling leaps and spins of the first scene paved the way for a worthy tribute to the musical composer Marvin Hamlisch at the Paper Mill Playhouse on Sunday night
casque beats. Hamlisch died unexpectedly in August at age 68, and the Paper Mill revival is dedicated to his memory.
With a book by James Kirkwood and Nicholas Dante and lyrics by Edward Kleban, the show ran for 15 years on Broadway following its 1975 premiere. It won nine Tony Awards and the Pulitzer Prize. For opening night of the Paper Mill season, dancers from the original production reunited to perform the show signature number along members of subsequent Broadway productions and the current Millburn cast.
Based on dancers life stories told to original director and choreographer Michael Bennett, the show centers on a tryout for a Broadway ensemble
casque beats. Like Bennett, Chorus Line choreographer Zach requires each performer to give a little background. They begin as numbers at a cattle call but by the end
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They tell stories of childhood, adolescence and coming to terms with sexuality. They share their sacrifices, anxieties and their unbreakable dreams as they belt out the show infectious songs as one with their legs alongside their ears
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Director Mitzi Hamilton, who inspired the character of Val and performed the role on Broadway, has recreated Bennett staging for the Paper Mill. Ensemble scenes are strongest
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lululemon. The cast also boasts a sense of humor and convincing camaraderie.
Jessica Lee Goldyn gives an impassioned performance as Cassie, Zach former lover who humbly begs a spot in the chorus after more glamorous roles. She draws eyes from the beginning
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Still, at the opening performance, the enthusiastic orchestra slightly overpowered her voice in Music and the Mirror, dimming the impact of her seductive dancing a bit.
As the experienced Sheila
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Karley Willocks Maggie is the vocal standout of the group, with a glorious sustained high note in the Ballet, and Kevin Curtis has an eyecatching moment as the looselimbed, gospelvoiced Richie.
As Paul, whose comingofage wounds are still raw, J
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Mike Cannon maximizes the small role of Al with a commanding presence, and it no wonder when Julia Freyer lithe, effervescent Judy makes Zach final cut.
Robin Wagner sets mimic a dance studio, with a group of mirrors for Cassie solo that reflect each movement like a prism. The dance attire and lighting are adapted from the original.
Gabrielle Ruiz lively and richly sung Diana makes I Did For Love a highlight of the show
windows xp professional product key. The last tender note, joined by the flawlessly blended ensemble, is simply beautiful
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